Collaborator

Roxanne Dupuis is originally from Moncton, New Brunswick, located in the unceded  traditional territory of the Wolastoqiyik (Maliseet) and Mi’kmaq. Settled in Montreal  since 2014, she divides her career between Quebec and l’Acadie. After her training at l’École de danse contemporaine de Montréal, she has collaborated with different companies  and choreographers, such as Tim Casson […]

The relational, experiential, and experimental potential of dance inspires me. I dance, choreograph, write, translate, and teach. I am the mother of Imogen Keith whose presence is a force coursing through me. I create work, including the recent video installation Mères et mouvements d’enfants presented in 2022 at the Foreman Gallery in partnership with Sursaut

Voodoo House; an entity on its own that aims to be first and foremost a vision and an artistic signature advocating the art of dance before the artist, the character before the dancer. The objective is to be recognized for one’s art and not for one’s person. That is why the anonymity of the choreographer