His initial passion for urban dance, combined with his training in contemporary dance, gives Jean-Benoit Labrecque a great versatility of interpretation sought by creators. Since his graduation from EDCM in 2014, he has collaborated with choreographer Danièle Desnoyers on four creations; Anatomie d’un souffle (2016), UNFOLD |7 perspectives (2019), La forêt mixte (2021), and Faunes Variations (2022). Jean-Benoit has also collaborated since 2015 with Toronto choreographer Riley Sims on several creations, including Are You Still Coming Tonight (2016), Drunk On Fiction (2017), Ode De Parade (2017), Amourous Playlist (2019) and This Lament I’ll Lip-sync Until I’m Born Again (2022). He also has collaborated with choreographer Andréa Peña on several projects, including the piece Utiltled I + III presented at Usine C in 2019, the short film Sainte-Monique presented by the Festival Quartier Danse in 2020, as well as the piece Manifesto 6.58 which premiered at the Agora in 2021. He also collaborates with choreographers Virginie Brunelle, Catherine Gaudet, Frédérick Gravel, Alan Lake, Daniel Léveillé, Jacques Poulin Denis, Sébastien Provencher and George Stamos.